In this episode of PhotoWork, Sasha and photographer, Tommy Kha discuss his latest book, Half, Full, Quarter published by Aperture. Tommy shares his thoughts about how photography is a language and a way to get to know people. Tommy and Sasha also talk about his life and work in Memphis and the obstacles he had to overcome to figure out his place as an artist there.
In this episode, Sasha and founder of CLAMP gallery, Brian Clamp, discuss Brian’s leap of faith in starting a gallery in New York City and figuring out how to turn it into a sustainable and successful business. Brian and Sasha also talk about the ups and downs of being an art dealer, especially when the economy takes a dive. Brian discusses his recent addition to the roster and how he makes those complicated decisions.
In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, David Benjamin Sherry have a deeply personal and moving conversation about the decisions and influences that lead David to pursue photography and to work in the manner that he does.
In this episode of PhotoWork with Sasha Wolf, Sasha talks to photographer, D’Angelo Lovell Williams about the experiences they had at the various art schools they attended as well as their rapid ascent in the art world at large after joining the roster of Higher Pictures Generation gallery. D’Angelo has a new brand new book out with Mack Books, Contact High, and they touch on many of the images in this new monograph.
In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Jess T. Dugan discuss Jess’s new book, Look at me like you love me, published by MACK. Jess speaks in very personal terms about the process of bringing this book together and living more authentically as an artist and a person.
In this episode of PhotoWork, Sasha and photographer, Jess T. Dugan, speak with one another from their respective recording booths, better known as closets. Jess and Sasha discuss why Jess went to Columbia College Chicago specifically to study with Dawoud Bey, how working at a museum when she was younger has been beneficial to her subsequent career as a fine artist, and just how much people can really know you through your art work. Jess and Sasha also have a candid conversation about the strengths and differences between Jess’s two most well known bodies of work.