In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Jim Goldberg discuss his new book, Coming and Going, published by MACK, which is a very personal story but also a book about storytelling itself. Jim talks about his lifelong interest in social justice and Sasha and Jim connect Jim’s work to both Jazz and Punk music. Sasha also announces the first ever participants in the PhotoWork Foundation Fellowship.
In this episode of PhotoWork with Sasha Wolf, Sasha is joined by photographer John Gossage to discuss John’s long and storied life in photography. John talks at length about his encounters, both positive and negative, with some of photography’s towering historical figures from Lisette Model to Edward Steichen. John discusses the origins of his renowned work, The Pond, and how getting the book published was a real challenge.
In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Lois Conner talk about the importance of being prepared for and understanding the history of a place before setting out to photograph while at the same time letting go of what you think you know. Lois talks about some of her most important teachers and mentors, from Helen Levitt to Richard Benson, and how they helped shape her process and practice. And, of course, they discuss Lois’s dedication to large format from 8×10 to 7×17!
In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, John Divola discuss his observational process of working, his dedication to long term projects and his openness to exploring new ideas, even knowing that they may never truly develop. John is an icon of the conceptual art world and he shares his process openly and generously.
In this two-part episode, returning guest, photographer Kristine Potter, and first time guest, writer Rebecca Bengal, talk to Sasha about how they started their careers and similarities in their upbringings. Sasha and Kristine discuss the history of “murder ballads” used to reference the casual violence against women in Kristine’s new book, Dark Waters, published by Aperture. Writer Rebecca Bengal talks about her short story, Blood Harmony which is part of Kristine’s book. Kristine and Rebecca discuss how a piece of fiction can function within a photobook. Sasha and Rebecca also talk about Rebecca’s new book, Strange Hours, published by Aperture, a collection of her essays on photography, and how you assemble essays written independently of one another into one book.
In this episode of PhotoWork with Sasha Wolf, Sasha and photographer and publisher Matt Eich discuss the intricate play between personal work and universality, the importance of varied artistic inspiration, and the deep understanding and responsibility needed when working with communities as an outsider. Matt also expresses the necessity of having trusted voices help in the editing process.
In this episode of PhotoWork, Sasha and photographer, writer and educator, Tim Carpenter discuss his book, To Photograph Is To Learn How To Die, published by The Ice Plant. Tim also talks about the importance of seeing a place over time as a way of seeing how you, yourself, have changed over time and how he let go of the idea of subject matter.
In this episode of PhotoWork, Sasha and photographer, Shirin Neshat discuss her latest multimedia project, Land of Dreams, a project that comprises photographs, video installation, and a feature length film. Shirin and Sasha talk about what brought Shirin back to making art after an 11 year hiatus, post graduate school, and how Shirin thinks about her identity as an Iranian born artist.
In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Andrea Modica discuss Andrea’s latest book, Theatrum Equorum, published by TIS. Andrea and Sasha talk about the great women artists in her life that helped open doors for her and how not knowing if anyone would ever be interested in her work allowed Andrea to make the photographs she wanted to make.
In this episode of PhotoWork with Sasha Wolf, Michael Chovan-Dalton fills-in for Sasha as she was away taking care of some family matters. Michael and photographer, Vanessa Winship, have a wonderful conversation about two bodies of work she made in the United States, She Dances on Jackson, published by MACK, and her most recent book, SNOW, published by Deadbeat Club. Vanessa talks about how both of these books began, the former as a proposal and the latter as an assignment. Vanessa also describes her experience of traveling around the United States and witnessing both beauty and turmoil.