In this episode of PhotoWork with Sasha Wolf, Sasha reunites with her very first guest on PhotoWork, the photographer and publisher, Bryan Schutmaat. Bryan and Sasha talk about his new book, Sons of the Living (Trespasser) and Bryan’s love of being on the road and exploring the American Landscape. Sasha and Bryan also discuss how the idea of collaboration in portraiture may be misrepresented and how a book doesn’t mean a body of work comes to an end.
In this episode of PhotoWork with Sasha Wolf, Sasha is joined by Pauline Vermare, Curator of Photography at the Brooklyn Museum, and Lesley A. Martin, Executive Director of Printed Matter. They discuss their collaborative efforts on “I’m So Happy You Are Here: Japanese Women Photographers from the 1950s to Now,” published by Aperture. This publication offers a counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. Lesley and Pauline share their connections to Japanese society and their interest in the representation of women in photography. Together, Sasha, Lesley, and Pauline explore how they balanced the academic and historical aspects of their work with the artistic appeal of a photobook that highlights the contributions of Japanese women photographers.
In this episode of PhotoWork, host Sasha Wolf talks with the three recipients of the Foundation’s inaugural Fellowship: Molly D’Arcy, Brandon Holland, and Will Suiter. They each share how the six-month mentorship impacted their artistic practice and what the experience meant to them personally. It’s an honest and transparent peek into the evolving practices and processes of these three young artists.
In this episode of PhotoWork with Sasha Wolf, host Sasha sits down with photographer and publisher Matthew Genitempo to discuss his latest book, “Dogbreath,” published by Trespasser. Together, they explore how “Dogbreath” marks a departure from his earlier work, “Jasper,” particularly in terms of personal narrative and photographic language. Matthew also shares insights about a pivotal critique session when he was in graduate school that significantly influenced his working methods and mindset.
In this episode of PhotoWork with Sasha Wolf, Sasha interviews photographer Todd Hido about his latest book, “The End Sends Advance Warning,” published by Nazraeli Press. They explore how the book defies its title, focusing instead on themes of hope and beauty. Additionally, they discuss the creation of Todd’s recent survey show at Casemore Gallery, which is the most extensive presentation of his work to date. Despite being a returning guest, Todd shares fresh insights about his mentors and his deep passion for photography, and he announces a new book towards the end of the episode.
In the first-ever episode of PhotoWork with Sasha Wolf recorded in front of a live audience, Sasha and photographer Rahim Fortune gathered at picturehouse + thesmalldarkroom to discuss his new book, Hardtack, published by Loose Joints. Sasha and Rahim delve into the significance of collaboration, with Rahim emphasizing the various forms of collaboration involved at every stage of the book’s creation. This includes the individuals Rahim photographed, the production team at picturehouse, and the editing process with Sarah Chaplin Espenon at Loose Joints.
In this installment of PhotoWork with Sasha Wolf, guest host Michael Chovan-Dalton continues his Chico Review series, this session featuring photographer Ben Brody. Ben joins Michael to discuss his two books, Attention Servicemember and 300m, both published by Mass Books—a venture he co-founded with Peter van Agtmael. The conversation delves into Ben’s tenure as an Army photographer during the Iraq War and his decision to work as a civilian freelance photographer in Afghanistan. They explore how both books serve as Ben’s personal reckoning with his role in generating propaganda. Additionally, they discuss his involvement with The GroundTruth Project, an organization committed to supporting local journalism in underrepresented communities.
In this episode of PhotoWork with Sasha Wolf, Sasha and photographer and founder of Charcoal Books and Chico Review, Jesse Lenz, discuss his monographs, The Locusts and The Seraphim, published by Charcoal Press. Jesse talks about borrowing from the language of cinema as way to approach making and editing photography. Sasha and Jesse also talk about the Chico Review, how it came to be and the experience of spending 8 days with colleagues and attendees in a remote location in Montana.
In this episode of PhotoWork with Sasha Wolf, substitute host, Michael Chovan-Dalton and photographer, Raymond Meeks discuss his latest book, The Inhabitants published by MACK with an extended poem by George Weld. Ray and Michael talk about how this work, which traces the passages of refugee crossings inside Spain and France, profoundly affected Ray’s approach to making work and how he views his role as a photographer. This episode picks up where Sasha and Ray left off back in episode 51.
In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Baldwin Lee discuss the first-ever publication of his work, eponymously titled, Baldwin Lee, published by Hunters Point Press. Baldwin and Sasha talk about his childhood years in Chinatown in New York City and then later studying with some of the most famous photographers of the times: Minor White and Walker Evans. They also have a provocative conversation about leaving photography behind once you believe you have completed your best work.