In this episode of PhotoWork with Sasha Wolf, Sasha reunites with her very first guest on PhotoWork, the photographer and publisher, Bryan Schutmaat. Bryan and Sasha talk about his new book, Sons of the Living (Trespasser) and Bryan’s love of being on the road and exploring the American Landscape. Sasha and Bryan also discuss how the idea of collaboration in portraiture may be misrepresented and how a book doesn’t mean a body of work comes to an end.
The PhotoWork Foundation is honored to have received a generous grant from the William Talbott Hillman Foundation in support of our 2025 Junior Fellowship program. Their generous support will help us continue to support emerging artists working within post-documentary photography through individual mentorship, financial support… Read More »PhotoWork Foundation Receives Grant from The William Talbott Hillman Foundation
We are thrilled to introduce the inaugural 𝗣𝗵𝗼𝘁𝗼𝗪𝗼𝗿𝗸 𝗦𝗲𝗻𝗶𝗼𝗿 𝗙𝗲𝗹𝗹𝗼𝘄𝘀𝗵𝗶𝗽. This six-month program will award a $10,000 grant to each of three photographers who demonstrate a sustained commitment to post-documentary photography and exhibit both the readiness and ability to collaborate with a photography advisor in… Read More »Announcing the Inaugural PhotoWork Senior Fellowship | 2025
In this episode of PhotoWork with Sasha Wolf, Sasha closes out the year with photographer Keisha Scarville. Keisha and Sasha talk about her book, lick of tongue rub of finger on soft wound (MACK), and Keisha’s personal and unique use of archival imagery. Keisha and Sasha also discuss the ways in which Keisha has moved away from thinking of projects as discreet bodies of work, choosing instead, a much more holistic approach.
In this episode of PhotoWork with Sasha Wolf, Sasha is joined by photographer, publisher, and educator, Ed Panar. They delve into “Winter Nights, Walking” (Spaces Corners), a nightly walk through his hometown of Pittsburgh, Pennsylvania, during the cold winter months shot over a 10 year period. Ed also describes the evolution of his process as the photo industry moved from the film era to the digital era and how that affected his work. Ed and Sasha discuss their optimistic views of our very connected photo community and how Ed and Melissa Catanese helped grow that community with their imprint and former community space, Spaces Corners.
We are delighted to introduce the 2025 PhotoWork Junior Fellows! Beginning in January of 2025 these six talented photographers will embark on an intensive six-month journey to develop a project of their choice, hone their artistic voices, and expand their practices under the guidance of dedicated mentors.
In this episode of PhotoWork with Sasha Wolf, Sasha engages in an honest and deeply personal conversation with photographer Christian Patterson. They delve into the creation of “Redheaded Peckerwood” (MACK) and his latest book, “Gong Co.” (TBW Books & Éditions Images Vevey). Christian offers a thorough description of his intricate process and motivations for these long-term projects, providing nearly step-by-step insights. He also reflects on his years working with William Eggleston and the nuanced ways in which that experience did, and did not, influence his artistic direction.
In this episode of PhotoWork with Sasha Wolf, Sasha sits down with Melissa Catanese—photographer, publisher, and educator. They dive into Melissa’s array of book projects, including her 2023 release, “The Lottery” (The Ice Plant), inspired by Shirley Jackson’s classic tale, perfectly resonating with today’s uncertain world. They also have an honest and in-depth conversation about Melissa’s life in photography, her commitment to pursuing her diverse artistic interests, and her innovative approaches to making a living as an artist.
In this episode of PhotoWork with Sasha Wolf, Sasha has a warm and deeply personal conversation with photographer Gregory Halpern. They discuss his latest book, “King, Queen, Knave,” published by MACK, and also revisit “ZZYZX,” the 2016 monograph that significantly elevated Greg’s career. Together, they emphasize the importance of knowing when to assume the roles of photographer and editor, and when to let the audience engage with the work on their own terms.
In this episode of PhotoWork with Sasha Wolf, Sasha is joined by Pauline Vermare, Curator of Photography at the Brooklyn Museum, and Lesley A. Martin, Executive Director of Printed Matter. They discuss their collaborative efforts on “I’m So Happy You Are Here: Japanese Women Photographers from the 1950s to Now,” published by Aperture. This publication offers a counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. Lesley and Pauline share their connections to Japanese society and their interest in the representation of women in photography. Together, Sasha, Lesley, and Pauline explore how they balanced the academic and historical aspects of their work with the artistic appeal of a photobook that highlights the contributions of Japanese women photographers.