In this episode of PhotoWork with Sasha Wolf, Sasha is joined by photographer John Gossage to discuss John’s long and storied life in photography. John talks at length about his encounters, both positive and negative, with some of photography’s towering historical figures from Lisette Model to Edward Steichen. John discusses the origins of his renowned work, The Pond, and how getting the book published was a real challenge.
In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, John Divola discuss his observational process of working, his dedication to long term projects and his openness to exploring new ideas, even knowing that they may never truly develop. John is an icon of the conceptual art world and he shares his process openly and generously.
In this episode of PhotoWork with Sasha Wolf, Sasha and photographer and educator, Andrew Moore take a deep dive into the history of Andrew’s ever evolving processes and practices. Andrew talks about his varied influences from both the modern and post-modern art world movements. Sasha and Andrew also discuss how his photography kept moving him closer and closer to home culminating in work made in the Hudson Valley where he resides.
In this two-part episode, returning guest, photographer Kristine Potter, and first time guest, writer Rebecca Bengal, talk to Sasha about how they started their careers and similarities in their upbringings. Sasha and Kristine discuss the history of “murder ballads” used to reference the casual violence against women in Kristine’s new book, Dark Waters, published by Aperture. Writer Rebecca Bengal talks about her short story, Blood Harmony which is part of Kristine’s book. Kristine and Rebecca discuss how a piece of fiction can function within a photobook. Sasha and Rebecca also talk about Rebecca’s new book, Strange Hours, published by Aperture, a collection of her essays on photography, and how you assemble essays written independently of one another into one book.
In this episode of PhotoWork with Sasha Wolf, Sasha and photographer and publisher Matt Eich discuss the intricate play between personal work and universality, the importance of varied artistic inspiration, and the deep understanding and responsibility needed when working with communities as an outsider. Matt also expresses the necessity of having trusted voices help in the editing process.
In this episode of PhotoWork, Sasha and photographer, Carolyn Drake, discuss her celebrated book Knit Club, published by TBW Books, as well as her other bodies of work. Carolyn talks about her complex reasons for leaving and then returning to the United States, after many years, and the importance of being connected to the place you are photographing.
In this episode of PhotoWork, Sasha and photographer, Tommy Kha discuss his latest book, Half, Full, Quarter published by Aperture. Tommy shares his thoughts about how photography is a language and a way to get to know people. Tommy and Sasha also talk about his life and work in Memphis and the obstacles he had to overcome to figure out his place as an artist there.
We are happy to announce that the PhotoWork Foundation is now partnering with our friends picturehouse + thesmalldarkroom as they will sponsor the PhotoWork Podcast and contribute to our PhotoWork Junior Fellowship.
In this episode of PhotoWork, Sasha and photographer, writer and educator, Tim Carpenter discuss his book, To Photograph Is To Learn How To Die, published by The Ice Plant. Tim also talks about the importance of seeing a place over time as a way of seeing how you, yourself, have changed over time and how he let go of the idea of subject matter.
In this episode of PhotoWork, Sasha and artist, Meghann Riepenhoff discuss her book Ice, published by Radius Books. Meghann talks about how she makes work collaboratively with the environment and how she uses moments of failure as a signal that she is moving in a new direction.