In this episode of PhotoWork, Sasha and photographer, Doug DuBois talk about the influence photographers Larry Sultan and Jim Goldberg had on Doug’s artistic development while he was in grad school in San Francisco. Doug discusses his long term project, My Last Day at Seventeen and the complex, always evolving, responsibility he feels for how the teenage subjects, now adults, were represented. Doug’s openness, honestly and good humor bring warmth and breadth to this conversation.
In this episode of PhotoWork, Sasha and photographer / filmmaker, Gillian Laub, talk about the patience needed to let a certain type of project take shape. Gillian discusses her HBO Documentary, Southern Rites, and explains why still photography alone was not enough to tell that story, and she reveals the importance of trusting her editor in the book making process and making hard cuts to beloved images. This is an incredibly warm and cozy talk between two old friends who share lots of thoughts and feelings with one another and, of course, the listeners.
In this episode of PhotoWork, Sasha and photographer, Alejandro Cartagena, talk about finding motivation from within and not counting on the art world at large to propel or inspire your creative output. Alejandro talks about how his early work as an archivist has come back around to be a key part of his current practice and how he juggles multiple bodies of work at once. Alejandro’s incredible passion for his craft, his good humor and high spirits keep this conversation moving at warp speed.
In this episode of PhotoWork, Sasha and artist, Dannielle Bowman, talk about Dannielle’s amazing trajectory, from almost giving up on making photographs, to being invited to work on the New York Times 1619 Project. Dannielle, who was awarded the Aperture Portfolio Prize this year, speaks at length about her work, and explains why and how she looks to create real ambiguity in her pictures. Dannielle discusses how shooting for the 1619 Project has had a lasting impact on her personally and on her work. The episode ends with a brief discussion of Dannielle’s experience at Yale in the MFA program and the strong bonds she formed there with her fellow students and professors.
In this episode of PhotoWork, Sasha talks with the Creative Director of Aperture, Lesley Martin. Sasha and Lesley take a deep dive into the world of photo book publishing, discuss the long process of getting a book made, from start to finish, and how up-and-coming photographers might approach publishers. Lesley talks about how she wound up at Aperture, the highs and lows of working collaboratively and about her extensive work on the publication, Stephen Shore’s Selected Works, among other. They also talk about the joys of book details such as vertical gatefolds and what’s better to show editor—a PDF or a maquette. They end with some deep talk about legacy and express their mutual admiration.
In this episode of PhotoWork, Sasha and photographer, Todd Hido, have a wide-ranging conversation about Todd’s roles as an artist and an educator. Todd shares his ideas about how students should follow the John Cage rule and “ Find a place you trust and try trusting it for a while”, and how, as a student himself, he had to push back against a critique to make his work less subjective! Todd and Sasha find common ground through cinematic influences and the desire for hope as a motivator to keep working. There is much to love and learn from in this episode as Hido is extremely generous with his hard won wisdom.
In this episode of PhotoWork, Sasha and photographer, Jess T. Dugan, speak with one another from their respective recording booths, better known as closets. Jess and Sasha discuss why Jess went to Columbia College Chicago specifically to study with Dawoud Bey, how working at a museum when she was younger has been beneficial to her subsequent career as a fine artist, and just how much people can really know you through your art work. Jess and Sasha also have a candid conversation about the strengths and differences between Jess’s two most well known bodies of work.
In this episode of PhotoWork, Sasha and guest, photographer, Adam Katseff, have a conversation about influence, the tricky part of trying to identify oneself as an artist, and the importance of acknowledging your own successes. Sasha and Adam talk about the process of creating his exquisite landscape series’, The Dark Landscapes and Rivers and Falls, and its connection to both early western landscape photography in the U.S, and abstract expressionist painting. In our introduction, Sasha and Michael talk about why Sasha is in her closet and how New Jersey is one step from the great beyond.
In this episode of PhotoWork, Sasha talks with photographer Elinor Carucci. Sasha and Elinor have a very personal and candid discussion about art, family, regrets, getting older in the public eye and navigating life during the pandemic. Elinor even shares her current favorite food. Hint: it’s a fruit. There’s a lot of love and warmth in this episode so, definitely, a very touchy-feely version of Sasha’s Book, PhotoWork: Forty Photographers on process and Practice.
In this episode of PhotoWork, Sasha speaks with her friend Kris Graves who is a photographer and the founder of Kris Graves Projects, a collaborative publishing house for photography that addresses contemporary social concerns. Kris talks about being a Black photographer in the contemporary art world and makes a surprise announcement about a new platform for artists. Sasha and producer Michael Chovan-Dalton start this show with a somewhat longer introduction to provide some more background about Sasha and her connection to this first series of guests for the show.